Arrival
The last painting is the end of the journey,
thus; the title ‘Arrival’ suited to demonstrate the end of the journey for the
protagonist. The environment is set in a coastline heading towards to small
harbour. The end of the journey for the protagonist has provided the many
facets of nature.
The colour scheme of the Arrival is mainly focused on the use
of blue and white due to the setting and to match its realistic view, the
composition of the painting was also adjusted to its requirement. Compositionally,
the setting of the painting and the use of elements is rather similar to the
first painting, ‘Tranquillity’. The return of the protagonist indicates the end
of the journey, back to his habitat and to match its surrounding, the use of
elements should be identical or similar to the first painting. It is because of
these settings, precise proportion of the character or its surrounding objects
and deconstruction of the painting specifies visual narrative and realism
within the painting.
This is the last painting and it is time for me to check each painting again if there are any problems with its composition, if there are any excessive use of elements, and if its realistic enough (then later on if this painting is able to convey the story as a visual narrative etc).
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